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AI Has Reached Creative Teams—Now Comes the Hard Part

Luma's first annual "State of Creative Professionals and AI: 2026" report, which surveyed 760 creative professionals, found that 81% of creative professionals are using AI to create and release content, according to marketing research consultant Michele Madansky, who presented the findings at a Brandweek 2026 workshop co-hosted by Luma. Madansky cited tool churn as the study's key caveat, noting that creative organizations on average evaluated 6.1 tools, adopted 4.3, and stopped using three. Luma forward deployed creative lead Alexia Adana then demonstrated the company's AI agents and creative platform using a workshop with Oakley, saying the agent acts as a pretrained tool that speaks to generative AI models on the user's behalf so marketers "do not need to be a technical prompter anymore.

by read3 min views1 publishedSep 22, 2026
AI Has Reached Creative Teams—Now Comes the Hard Part
Image: Adweek (auto-discovered)

While it seems like nearly every marketer is using some kind of AI tool, just how prevalent is true integration? And with such a steep learning curve, how can they use the tools efficiently? During a Brandweek 2026 workshop co-hosted by Luma, Michele Madansky, marketing research consultant at Michele Madansky Consulting (MMC), sat down with Alexia Adana, forward deployed creative lead at Luma, to discuss how marketers are currently using AI and demonstrate how Luma’s AI agents and creative platform can power the future of marketing.

How creatives are using AI today

Madansky opened the panel by sharing the results of Luma’s first-ever annual report, “State of Creative Professionals and AI: 2026,” which surveyed 760 creative professionals.

According to Madansky, the headline of the report is that 81% of creative professionals are using AI to create and release content. But there was a caveat, and she cited her “favorite” finding from the study as evidence that while adoption is high, integration is still being figured out.

“On average, creative organizations evaluated 6.1 tools, adopted 4.3, and stopped using three. This is churn,” Madansky said. She explained that the results point to heavy trial with the understanding that not everything will work or have lasting impact.

The survey includes several more findings, including the idea that agencies are leading AI adoption, while freelancers are lagging behind.

It also broke down the types of content being created, with written copy or image creation ahead of video. “Video is harder to produce,” Madansky explained.

Powering creative decisions

Adana took the stage to demonstrate how Luma’s AI agents and platform can help marketers. She used examples from a real workshop that Luma held with Oakley, the eyewear company owned by parent company Luxottica. In real time, she interacted with a Luma AI agent via chat, keeping the workflow simple.

“Think of the agent as this very powerful, pretrained tool that speaks to the generative AI models on your behalf. So, you do not need to be a technical prompter anymore to create these high-fidelity assets,” Adana explained. “You just need to be somebody with a great idea and really solid direction to give that agent to go execute.”

Adana showed how Luma builds a “Brand DNA” by up any data that would have brand guidelines, like typefaces and logos. Past campaigns can also be uploaded so Luma can learn what has worked.

Next, the creative process begins. Within Luma are “digital twins” of real-life models who have been photographed, as well as images of the brand’s products. A marketer with a creative brief can then tell the Luma agent to generate mood boards and other assets in the brainstorming phase.

Adana then demonstrated how marketers could bring the content to life using the company’s array of AI tools. In minutes, she altered one of the Oakley test cases, showing that hybrid production using Luma can speed up the creative workflow. But Adana stressed that the process is still human-driven.

“This is all rooted in human authorship, [the assets are] rooted in real photography, and going through a hybrid workflow,” Adana stated.

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