Trump Administration Sides With OpenAI in New York Times Copyright Lawsuit

The Trump administration filed a letter on Tuesday siding with OpenAI in its copyright lawsuit with The New York Times, arguing that training AI models on copyrighted works is 'extraordinarily transformative' and that a win for the Times could hinder American AI leadership. The government's brief, submitted to the U.S. District Court for the Southern District of New York, states that the Times' definition of fair use is 'inconsistent' with current copyright law, and warns that constraining LLM development would thwart creative and scientific progress. The Times and the Author's Guild criticized the move, with the Times spokesperson stating that AI companies should pay fairly for content.

The Trump Administration just took OpenAI’s side in the artificial intelligence https://www.wired.com/tag/artificial-intelligence/ company’s legal battle with the New York Times. The media juggernaut sued OpenAI and Microsoft https://www.wired.com/story/the-big-interview-podcast-a-g-sulzberger-new-york-times/ in 2023, alleging that the companies had violated copyright law by training their AI tools on its articles without permission. Now, the government has stepped in, arguing that OpenAI’s actions were within bounds. On Tuesday, the federal government submitted a letter https://storage.courtlistener.com/recap/gov.uscourts.nysd.612697/gov.uscourts.nysd.612697.1464.0.pdf to the court stating that the United States has a “strong interest” in whether AI training on copyright works is considered “fair use,” because it connects to whether the country’s AI industry can “retain global leadership in artificial intelligence.” The “fair use” rule shields certain uses of copyrighted materials. The letter argued that the Times’ definition of fair use is “inconsistent” with current copyright law, and that a win for the paper could have disastrous consequences. “Constraining LLM development under a misunderstanding of fair use doctrine would thwart such creative and scientific progress while hindering American prosperity and economic mobility,” lawyers for the government wrote. While the letter focuses on the New York Times and OpenAI, the government noted that its arguments apply to all of the parties in this case and related cases, including other publishers and authors. Training LLMs on copyrighted works is considered “extraordinarily transformative,” meaning that these systems meaningfully change their inputs, the administration argued. The administration also wrote that OpenAI’s LLMs do not significantly compete with The New York Times’ articles. Courts consider both of these conditions, as well as others, when deciding if the fair use doctrine is met. Conflating AI training with what artificial intelligence tools produce would lead to “problematic implications for copyright law generally” by implying that it would be similarly illegal for human writers to practice their craft by training on the words of others, per the letter. The lawyers compared it to how a teenage Joan Didion typed out Ernest Hemingway’s stories to figure out how to write. Evan Brown, an intellectual property lawyer with the firm Neal & McDevitt, tells WIRED that the US district judge overseeing this case, Sidney H. Stein, is not obliged to let this letter influence his ultimate decision. However, Brown says that Stein and other judges overseeing cases like this will almost certainly “take it quite seriously because it comes from the Department of Justice, and inherently carries a lot of weight.” Pamela Samuelson, a copyright lawyer who codirects the Berkeley Center For Law & Technology, tells WIRED that the government’s brief is a “significant development,” and one which is consistent with AI copyright rulings thus far. “The Administration is siding with a handful of trillion-dollar AI companies at the expense of the countless American creators whose work they stole,” New York Times spokesperson Graham James tells WIRED. “Both AI and creators can thrive–AI companies simply need to pay fairly for the content that makes their products possible, as copyright law requires.” OpenAI and Microsoft did not immediately respond to WIRED’s request for comment. Other plaintiffs are unhappy at the government’s incursion. Mary Rasenberger, the chief executive of the Author’s Guild—which filed its own lawsuit against OpenAI in 2023—tells WIRED that the nonprofit is “extremely disappointed” about the letter, which she calls ”replete with faulty arguments and a gross misunderstanding of the fair use doctrine and copyright law.” There are dozens https://www.wired.com/story/ai-copyright-case-tracker/ of ongoing, high-profile lawsuits over the legality of AI companies training their tools on copyrighted work. The two biggest decisions so far took place last year. Meta technically won https://www.wired.com/story/meta-scores-victory-ai-copyright-case/ its copyright case, Kadrey v. Meta , although the judge noted that the plaintiffs did not produce enough evidence that the training caused them harm while stressing that in other circumstances, training on copyrighted materials without permission might indeed be illegal. Anthropic, meanwhile, lost its case https://www.wired.com/story/anthropic-settlement-lawsuit-copyright/ , and must pay authors $1.5 billion in damages, the largest copyright settlement in national history. The judge in that case carved out an important caveat, ruling that the AI training itself was fair use, but that the authors were owed damages because the AI giant had pirated their books. Meanwhile, the larger fight over copyright rages on. New lawsuits are still rolling in; late last week, Sony and Warner Music sued https://www.billboard.com/pro/sony-and-warner-sue-anthropic-in-ai-copyright-suit/ Anthropic, following another suit from other music giants like Universal Music Group, in which Anthropic is mounting a fair use defense. In both cases, the companies allege that their copyrighted material was stolen to train Claude, the company’s popular AI tool.