A personal internet radio station. One Icecast stream, one broadcast. Every listener hears the same thing at the same time. An AI DJ picks the tracks and talks between them: station idents, time checks, the weather, a quick intro for whatever's going out next. You can ask for music in plain language; the DJ works out what you meant and slots it in.
It's radio, not a playlist. No per-listener shuffle, no skip button, no "up next for you." You tune in and hear whatever is on.
SUBWAVE.Showreel.1080p.mp4 #
Project site—getsubwave.com** Demo player**—getsubwave.com/listen** Mobile apps**— native players —iOS on the App Store,Android on Google PlaySetup walkthrough—getsubwave.com/setup** Operator manual**—getsubwave.com/manual** Community**—join the Discord
The listener player. One shared broadcast, with in-app song requests.
The admin console. Where the operator runs the station.
The Library Observatory. A data-art map of every track the DJ has tagged, placed by genre and lit by energy. Click a point for its full dossier: BPM, key, mood, embeddings, and nearest neighbours. Open it at /observatory
.
One shared Icecast stream. Every listener hears the same broadcast at the same time.AI DJ that picks and talks. Curates tracks, writes intros, and reads station idents, the time, and the weather.Plain-language requests."Play something more upbeat" or "anything by Radiohead" works.** Your own music library.Pulls from Navidrome over the Subsonic API. No external catalogue. Swappable LLM provider.**Ollama, Anthropic, OpenAI, Google, DeepSeek, OpenRouter, Vercel AI Gateway, or any OpenAI-compatible server. Change it from the admin UI with no redeploy.Five TTS engines. Piper and Kokoro in-process for fast local speech, plus an optionaltts-heavy
sidecar (docker compose --profile tts-heavy up -d
) that adds Chatterbox (zero-shot voice cloning) and PocketTTS (6× real-time, EN/FR/DE/IT/ES/PT). Cloud (OpenAI / ElevenLabs) is also available. Pick a different engine per kind of speech.Multiple DJ personas. Up to 10 souls in rotation, each with its own voice and writing style.Dual-codec broadcast. MP3 128 kbps for Sonos, hardware radios, and cars; Ogg-Opus 96 kbps for modern browsers. The web player picks automatically.Native apps and PWA. Native iOS (on the App Store) and Android (on Google Play) players — background audio, lock-screen / CarPlay / Android Auto controls, multi-station — plus an installable PWA on phone and desktop.Scheduled shows. A 24×7 grid; each slot has its own persona, mood, and skills.Pluggable skills. The DJ's between-track segments — weather, news, traffic, and your own — are skills. The built-ins are scaffolded as editable files understate/skills/<kind>/
on first boot, so you can rewrite a brief or change the news feed (BBC → your own RSS) right from the admin console — no code, no redeploy. Add your own by dropping aSKILL.md
(plus optional data-fetching code) intostate/skills/
, hitting Rescan, and enabling it. See.docs/custom-skills.md
Mood-aware rotation. Time of day, weather, and festival days bias what gets played and how the DJ talks.Hourly archives. Every hour saved as MP3 for later replay.Crossfade + voice ducking. Tracks blend smoothly; the music ducks under DJ speech and lifts back up.Admin console. Live status, queue, booth log, personas, shows, skills, stats, and a debug view of recent LLM calls.Library Observatory. A full-screen, data-art map of every tagged track at/observatory
— placed by genre, lit by energy, with a full dossier per track (BPM, key, mood, embedding fingerprints, and nearest-in-vector-space neighbours). Scales from a few hundred to tens of thousands of tracks.MCP server. External agents (Claude Desktop, Cursor, etc.) can request songs and drive the DJ.Self-hosted. Onedocker compose up -d
on a single Linux host. Optional Cloudflare in front for TLS.
A playlist is a list you control. Radio is a broadcast you join. SUB/WAVE is the second kind:
One shared stream. A single Icecast mount everyone connects to. Everyone hears the same audio at the same instant. That's what makes it a station instead of a jukebox.No skip. Track-end is the only natural transition. The DJ — human-curated personas plus an LLM — owns the pacing, not the listener. (Operatorscanskip via the admin API; listeners cannot.)AI as the DJ, not the catalogue. The music is your own library, served by Navidrome over the Subsonic API. The LLM picks what's next and talks between tracks. It doesn't generate music and it doesn't replace your taste.Self-hosted and swappable. Runs on one Linux box behind Cloudflare. The LLM provider is swappable at runtime (Ollama, Anthropic, OpenAI, Google, OpenRouter, Vercel AI Gateway) with no redeploy.
curl -fsSL https://cli.getsubwave.com | sh # installs, then offers to init + start
subwave setup # connect Navidrome + LLM
Two Enter prompts during the installer (Run subwave init now?
, then
Bring the stack up now?
) and the stack is on-air. subwave setup
connects Navidrome and your LLM, or do the same in the browser at
http://localhost:7700/onboarding
.
No clone, no Node on the host. subwave status / logs / doctor / update
work from anywhere afterwards.
If you'd rather skip our binary on your host and stick to docker compose
:
mkdir subwave && cd subwave
curl -O https://raw.githubusercontent.com/perminder-klair/subwave/main/docker-compose.yml
curl -O https://raw.githubusercontent.com/perminder-klair/subwave/main/.env.example
mv .env.example .env
docker compose up -d
Functionally identical: same images, same state layout, same persistence.
The CLI just saves you the curl-and-edit dance and gives you subwave logs
,
subwave doctor
, etc. for the rest of the lifecycle.
Chatterbox (zero-shot voice cloning) and PocketTTS (fast multilingual) live in
a separate subwave-tts-heavy
sidecar that adds ~5–6 GB of PyTorch and is not started by default. To enable:
docker compose --profile tts-heavy up -d
The controller is wired up to discover the sidecar automatically. Stop it
again with docker compose --profile tts-heavy stop tts-heavy
; the rest of
the stack keeps running and Chatterbox/PocketTTS personas silently fall back
to Piper. The old docker build --build-arg WITH_CHATTERBOX=1
path still
works if you already have a custom-built controller image — see
docker/Dockerfile.controller
.
git clone https://github.com/perminder-klair/subwave.git && cd subwave
./scripts/setup.sh # scaffolds a 3-var root .env + state/
docker compose -f docker-compose.dev.yml up -d # Broadcast (icecast2 + liquidsoap) + Controller
cd web && npm install && npm run dev # web UI on :7700, separate and hot-re
Dev compose bind-mounts controller/src/
, radio.liq
, and sounds/
from the
repo. Controller runs under tsx watch
so src/**
edits hot-reload inside
the container; radio.liq
edits just need a docker compose -f docker-compose.dev.yml restart broadcast
.
The standalone subwave
CLI works inside the cloned repo too. cd subwave && subwave start dev
does the right thing. The contributor convenience is npm start
, which tsx
-runs the CLI source directly so unreleased changes are
exercised. Same commands, same flags, no npm install -g
needed.
The same CLI doubles as the console for running the station. Run npm start
for a status-aware menu; every menu action is also a one-shot subcommand,
appended after npm start --
:
npm start # interactive operator console (status-aware menu)
npm start -- setup # first-boot wizard: Navidrome, LLM, admin, env files
npm start -- status # compose env, services, now-playing, recent events
npm start -- doctor # full diagnostic sweep
npm start -- start dev # docker compose up -d (dev or prod)
npm start -- restart broadcast # plain restart (radio.liq is bind-mounted in dev)
npm start -- restart controller # rebuild + recreate (source is COPY-d at build)
npm start -- logs controller # tail one service
npm start -- listen # open the web player in a browser
npm start -- admin # open the admin console in a browser
npm start -- stop # docker compose down (confirms first)
Single Linux host, Cloudflare terminating TLS, Caddy routing to four internal
services. The no-CLI quickstart above is
the canonical path: curl
two files, fill in three vars, docker compose up -d
, finish setup in the browser. See for host prerequisites, Cloudflare setup, updates, and backup.
DEPLOY.md
On Unraid? One-click install from ** Community Applications** (search
SUB/WAVE in the Apps tab) — or run the full split-container stack via the Compose Manager Plus plugin. Both in
.
docs/unraid.md
Bring your own reverse proxy. If you already run Traefik, nginx, or your own Caddy in your homelab, swap the bundled-Caddy compose for the BYO variant:
docker compose -f docker-compose.byo.yml up -d
That exposes the web UI on :7700
, the controller API on :7701
, and the
Icecast stream on :7702
(all configurable). Point your proxy at those three.
docker/Caddyfile
is a working reference for the route table you need to replicate. Details in DEPLOY.md.
Images on GHCR. Tagged releases publish to ghcr.io/perminder-klair/subwave-{caddy,broadcast,controller,web}
.
All compose files pull :latest
by default; pin a version with
SUBWAVE_VERSION=v1.2.3
in the root .env
.
docker-compose.yml Production deploy with bundled Caddy (default)
docker-compose.byo.yml Production deploy for hosts with their own reverse proxy
docker-compose.dev.yml Local dev (broadcast + controller only; web runs separately)
controller/ Node.js controller, the AI DJ brain
src/llm/ LLM layer (AI SDK): provider registry, prompts, tools
src/broadcast/ queue, session, DJ agent, scheduler, jingles
src/music/ Subsonic client, pool picker, library tagging
src/audio/ TTS engines: Piper, Kokoro, Chatterbox, PocketTTS, cloud
src/routes/ HTTP API split by surface (public, request, onboarding, settings, …)
liquidsoap/ radio.liq, the Liquidsoap mixing pipeline
web/ Next.js 15 web UI (player, landing, admin, setup)
docker/ Caddyfile, Dockerfiles, icecast.xml.template, supervisor entrypoint
scripts/ setup, jingle generation, update, health check
mcp-subwave/ MCP server that lets an agent request songs / drive the DJ
cli/ Operator CLI (TS, run via tsx , no build step)
bin/subwave Operator CLI entry: setup, status, doctor, lifecycle
Controller code needs a rebuild, not a restart, because its source isCOPY
d at image build time.radio.liq
is bind-mounted, so a Liquidsoap restart is enough after editing it.The LLM provider is swappable at runtime from the admin UI. Every model call goes through the Vercel AI SDK.There is no Track-end is the only natural transition; operators have an admin-only skip endpoint./skip
for listeners.Navidrome ≥0.62 is recommended. It ships several security hardening fixes (internet-radio management now admin-gated, transcode-config disclosure restricted to admins, concurrent-transcode DoS limits) and the OpenSubsonicsonicSimilarity
extension. SUB/WAVE streams withformat=raw
so the transcode limits never throttle the radio, and whensonicSimilarity
is enabled the picker automatically folds Navidrome's audio-based neighbours in as an extra track-selection source — no config, capability-probed, and a silent no-op when the extension is absent. Any reasonably recent Navidrome still works.- Several areas (queue/playback path,
radio.liq
, the crossfade, voice ducking, the LLM layer) havenon-obvious constraints that are easy to regress. Read the relevant note inbefore touching them.CLAUDE.md
production deployment, updates, backup.:DEPLOY.md
running on Unraid — one-click from Community Applications, or the Compose Manager Plus stack.:docs/unraid.md
the optional heavy sidecar — expressive voices and acoustic analysis, and how to turn it on.:docs/tts-heavy.md
deep architecture reference and the non-obvious constraints behind each subsystem.:CLAUDE.md
how to contribute.:CONTRIBUTING.md
reporting security issues.:SECURITY.md
the MCP server.:mcp-subwave/README.md
SUB/WAVE is playback and automation software. It does not grant you any rights to the music you broadcast through it, and it ships with no licensed content.
Owning a file — a purchased download, a CD you ripped, anything in your Navidrome library — covers your own private listening. It does not cover public performance. The moment SUB/WAVE streams to anyone but you, you are publicly performing copyrighted works, which in most countries requires licences for two separate rights:
- the musical composition(songwriting) — e.g. PRS for Music (UK), ASCAP / BMI / SESAC (US); - the sound recording(the master) — e.g. PPL (UK), SoundExchange (US, under the statutory webcasting licence and its DMCA §114 conditions).
You are the broadcaster and you are solely responsible for clearing those rights. If you don't want to obtain licences, run the station privately (see DEPLOY.md → Make the station private), or broadcast only content you're cleared to use — music you created or own the rights to, Creative-Commons-licensed tracks, royalty-free libraries, or public-domain recordings.
This is general information, not legal advice. If you run a public station, talk to a media/IP lawyer in your jurisdiction.
MIT.