54x better image compression using LLMs

A new image-compression experiment reduces 1-megapixel AVIF-optimized images to roughly 2KB text prompts that a 1-trillion-parameter text-to-image generator reconstructs, claiming compression ratios above 54x versus AVIF, WEBP and JPEG. In one documented sample, an 80,719-byte AVIF original became a 1,851-byte gzip-compressed prompt, a 43.61x ratio, with the prompt generated by asking Claude to describe the image accurately enough for reconstruction. The method replaces stored pixels with prompt text plus a state-of-the-art generator at decompression time.

54x better image compression using LLMs An unprecedented compression system Who needs images when you can reconstruct them from text prompts? Today we are presenting a groundbreaking new form of image compression that beats AVIF, WEBP, and JPEG by 54x. The compression method: reduce an image to its prompt - "Claude, give me a prompt that can be used to reconstruct this image accurately". The decompression method: simply run that prompt through a state-of-the-art 1T-parameter text-to-image generator. Now you can delete all your images and replace them with svelte ~2KB text files. We tested this with everything from portraits and interiors to typography and art. See for yourself below. Each comparison shows the original beside its reconstruction, followed by the prompt and measured file sizes. Originals are 1 megapixel and AVIF-optimized. Full table of results at the bottom. People | Original AVIF | Compressed prompt gzip | Compression ratio | |---|---|---| | 80.72 kB80,719 bytes | 1.85 kB1,851 bytes · gzip | 43.61×Original / prompt | PromptA realistic candid travel photograph taken with a smartphone in a remote high-altitude mountain valley at blue hour, shortly before dusk. The image is a wide landscape-oriented 4:3 photograph, with two adult men posing together in the extreme lower-left foreground, occupying roughly the bottom-left quarter of the frame. They are standing on a gently sloping grassy hillside and looking directly at the camera, smiling naturally. The man on the far left is East Asian, with short straight black hair, clean-shaven, wearing a very light gray-blue Columbia-style waterproof hiking shell with a dark charcoal inner collar. He is slightly shorter and has his arm around his friend. The man beside him is white, with short wavy dark brown hair, light beard/stubble, rectangular clear eyeglasses, wearing a black T-shirt underneath a dark navy/charcoal lightweight quilted Patagonia-style puffer jacket. Their bodies are cropped around mid-thigh by the bottom edge. Make them look like ordinary travelers rather than fashion models: natural expressions, imperfect casual posture, realistic skin texture. Behind them is an enormous open alpine valley filling most of the photograph: muted green and brown grassland, almost treeless, gently rolling and exceptionally broad and flat. A narrow pale dirt road winds horizontally through the middle distance. Small scattered white buildings and farmhouses form a sparse rural village along the far side of the valley, especially toward the right. A larger low white building with a dark red roof sits isolated toward the far left. Two other hikers are visible far behind the men on the hillside, very small in the frame, walking downhill away from the camera toward the valley. One wears muted beige/gray clothing; the other wears darker clothing with a red backpack or red accent. Huge dark forested mountains rise behind the valley. The mountains should feel massive but partially hidden by weather. Thick banks of low white-gray fog and cloud snake horizontally through the valley and wrap around the mountains, obscuring their lower and upper slopes. The largest mountain occupies the center and right background, with its summit completely disappearing into cloud. Another dark triangular forested ridge enters from the far left. The sky occupies roughly the upper third of the photograph and is completely overcast with dramatic soft clouds. Everything has a cool blue-violet cast from twilight: pale lavender-blue sky, bluish mountains, cool green grass, soft gray fog. No direct sunlight, no golden hour, no harsh shadows. Atmospheric, damp, chilly mountain weather. Composition is intentionally casual rather than professionally composed: the people are pushed strongly toward the lower-left corner while the huge empty valley dominates the center and right side. Slight wide-angle smartphone perspective, approximately 24–26mm full-frame equivalent. Camera held around eye level, landscape orientation. Deep depth of field so both the people and landscape remain recognizable, although the distant mountains are naturally softened by atmospheric haze. Photorealistic iPhone travel snapshot, subtle smartphone computational photography, slightly lifted shadows, modest dynamic range, slight cool white balance, a tiny amount of low-light softness and sensor noise, realistic imperfect exposure, subdued saturation. Do NOT make it cinematic, HDR, hyper-detailed, glossy, professionally lit, or heavily color-graded. It should look like an authentic unedited vacation photo someone casually took with a phone. Important spatial layout: two men only in the immediate foreground at bottom left; foreground hillside slopes gently downward from left to right; approximately 70% of the image is landscape rather than people; huge open grass valley through the middle; tiny settlement concentrated along the distant base of the mountains; horizontal ribbon of fog immediately above the settlement; enormous cloud-covered mountain centered in the background; blue cloudy sky above. A realistic candid travel photograph taken with a smartphone in a remote high-altitude mountain valley at blue hour, shortly before dusk. The image is a wide landscape-oriented 4:3 photograph, with two adult men posing together in the extreme lower-left foreground, occupying roughly the bottom-left quarter of the frame. They are standing on a gently sloping grassy hillside and looking directly at the camera, smiling naturally. The man on the far left is East Asian, with short straight black hair, clean-shaven, wearing a very light gray-blue Columbia-style waterproof hiking shell with a dark charcoal inner collar. He is slightly shorter and has his arm around his friend. The man beside him is white, with short wavy dark brown hair, light beard/stubble, rectangular clear eyeglasses, wearing a black T-shirt underneath a dark navy/charcoal lightweight quilted Patagonia-style puffer jacket. Their bodies are cropped around mid-thigh by the bottom edge. Make them look like ordinary travelers rather than fashion models: natural expressions, imperfect casual posture, realistic skin texture. Behind them is an enormous open alpine valley filling most of the photograph: muted green and brown grassland, almost treeless, gently rolling and exceptionally broad and flat. A narrow pale dirt road winds horizontally through the middle distance. Small scattered white buildings and farmhouses form a sparse rural village along the far side of the valley, especially toward the right. A larger low white building with a dark red roof sits isolated toward the far left. Two other hikers are visible far behind the men on the hillside, very small in the frame, walking downhill away from the camera toward the valley. One wears muted beige/gray clothing; the other wears darker clothing with a red backpack or red accent. Huge dark forested mountains rise behind the valley. The mountains should feel massive but partially hidden by weather. Thick banks of low white-gray fog and cloud snake horizontally through the valley and wrap around the mountains, obscuring their lower and upper slopes. The largest mountain occupies the center and right background, with its summit completely disappearing into cloud. Another dark triangular forested ridge enters from the far left. The sky occupies roughly the upper third of the photograph and is completely overcast with dramatic soft clouds. Everything has a cool blue-violet cast from twilight: pale lavender-blue sky, bluish mountains, cool green grass, soft gray fog. No direct sunlight, no golden hour, no harsh shadows. Atmospheric, damp, chilly mountain weather. Composition is intentionally casual rather than professionally composed: the people are pushed strongly toward the lower-left corner while the huge empty valley dominates the center and right side. Slight wide-angle smartphone perspective, approximately 24–26mm full-frame equivalent. Camera held around eye level, landscape orientation. Deep depth of field so both the people and landscape remain recognizable, although the distant mountains are naturally softened by atmospheric haze. Photorealistic iPhone travel snapshot, subtle smartphone computational photography, slightly lifted shadows, modest dynamic range, slight cool white balance, a tiny amount of low-light softness and sensor noise, realistic imperfect exposure, subdued saturation. Do NOT make it cinematic, HDR, hyper-detailed, glossy, professionally lit, or heavily color-graded. It should look like an authentic unedited vacation photo someone casually took with a phone. Important spatial layout: two men only in the immediate foreground at bottom left; foreground hillside slopes gently downward from left to right; approximately 70% of the image is landscape rather than people; huge open grass valley through the middle; tiny settlement concentrated along the distant base of the mountains; horizontal ribbon of fog immediately above the settlement; enormous cloud-covered mountain centered in the background; blue cloudy sky above. | Original AVIF | Compressed prompt gzip | Compression ratio | |---|---|---| | 37.10 kB37,098 bytes | 0.91 kB907 bytes · gzip | 40.90×Original / prompt | PromptPhotorealistic professional studio sports portrait of a tall, lean, athletic adult male soccer goalkeeper standing straight and facing directly toward the camera against a seamless medium-gray studio backdrop. Frame him vertically from slightly above his head to approximately mid-thigh. He is centered and symmetrical, arms relaxed straight down beside his body, smiling naturally at the camera. He has fair/light skin, short dark-brown hair with a neat tapered cut and longer hair combed forward and slightly sideways on top, blue-gray eyes, thick dark eyebrows, and a full neatly trimmed medium-brown beard and mustache. He wears a bright orange short-sleeve USA men's national soccer goalkeeper uniform. The jersey has slightly lighter peach-orange shoulder/chest panels, subtle geometric tonal patterning in the fabric, a USA shield crest centered high on the chest, and a large black number “1” centered below it. Small black Nike swooshes appear on the sleeves. Matching orange goalkeeper shorts are visible, with another black “1” on the thigh and a small USA crest. Both hands wear large professional red goalkeeper gloves with white palms and accents, bulky padded fingers, and red wrist straps. His hands hang naturally with palms slightly facing backward/outward. Neutral professional sports-media-day photography, soft frontal key light with gentle modeling across the face and jersey, slightly darker gray toward the edges of the backdrop, realistic skin pores and beard texture, sharp focus, restrained contrast, no dramatic shadows. Approximately 85mm portrait-lens perspective. Do not make this an action shot; it should look exactly like an official federation player portrait taken during a studio photo session. No watermark or stock-photo text. Photorealistic professional studio sports portrait of a tall, lean, athletic adult male soccer goalkeeper standing straight and facing directly toward the camera against a seamless medium-gray studio backdrop. Frame him vertically from slightly above his head to approximately mid-thigh. He is centered and symmetrical, arms relaxed straight down beside his body, smiling naturally at the camera. He has fair/light skin, short dark-brown hair with a neat tapered cut and longer hair combed forward and slightly sideways on top, blue-gray eyes, thick dark eyebrows, and a full neatly trimmed medium-brown beard and mustache. He wears a bright orange short-sleeve USA men's national soccer goalkeeper uniform. The jersey has slightly lighter peach-orange shoulder/chest panels, subtle geometric tonal patterning in the fabric, a USA shield crest centered high on the chest, and a large black number “1” centered below it. Small black Nike swooshes appear on the sleeves. Matching orange goalkeeper shorts are visible, with another black “1” on the thigh and a small USA crest. Both hands wear large professional red goalkeeper gloves with white palms and accents, bulky padded fingers, and red wrist straps. His hands hang naturally with palms slightly facing backward/outward. Neutral professional sports-media-day photography, soft frontal key light with gentle modeling across the face and jersey, slightly darker gray toward the edges of the backdrop, realistic skin pores and beard texture, sharp focus, restrained contrast, no dramatic shadows. Approximately 85mm portrait-lens perspective. Do not make this an action shot; it should look exactly like an official federation player portrait taken during a studio photo session. No watermark or stock-photo text. | Original AVIF | Compressed prompt gzip | Compression ratio | |---|---|---| | 45.06 kB45,056 bytes | 1.12 kB1,123 bytes · gzip | 40.12×Original / prompt | PromptPhotorealistic candid nightlife photograph taken inside a sophisticated modern bar at night. Vertical composition, approximately 3:4. The camera is positioned across a glossy dark bar counter, looking toward several patrons seated or leaning along it. Very shallow depth of field and warm, atmospheric available light. The primary subject is a white adult man around his late 30s to early 40s positioned near the center-right. He has medium-length dark brown wavy hair swept backward, light facial stubble/beard, and wears a simple fitted black long-sleeve crewneck sweater. He leans forward over the bar with both forearms near the counter, head tilted downward, intensely looking at a smartphone held in both hands. He is candid and unaware of the camera. Immediately to his left is a Black adult man in profile wearing a fitted black top, with very short hair or shaved head and red-tinted sunglasses pushed up on his forehead. He holds a short rocks glass containing a dark reddish drink and drinks through a black straw while looking toward the left. At the extreme right foreground is another adult man, only partially visible and cropped by the frame, with dark hair, beard/stubble and a pale short-sleeve collared shirt, leaning toward the counter and looking downward. On the glossy bar directly in front of the central man is a short clear tumbler containing a pale amber drink, ice cubes and a large orange peel. Nearby are a crumpled white napkin and miscellaneous small bar objects. The counter produces dark, soft reflections. Background consists of large dark window panes and glass architecture with blurred interior lights in green, blue and warm yellow, plus indistinct patrons. A blonde woman is blurred in the lower-left foreground/background. Strong natural bokeh, some foreground obstruction across the bottom edge, intimate documentary/event-photography feeling. Shot on a fast full-frame camera around 50–85mm, approximately f/1.8–f/2.2, high ISO. Central man's face and arms relatively sharp while surrounding figures progressively soften. Warm skin tones against dark blacks, green/blue background illumination, realistic noise, imperfect candid framing. Do not make it look staged or posed. Photorealistic candid nightlife photograph taken inside a sophisticated modern bar at night. Vertical composition, approximately 3:4. The camera is positioned across a glossy dark bar counter, looking toward several patrons seated or leaning along it. Very shallow depth of field and warm, atmospheric available light. The primary subject is a white adult man around his late 30s to early 40s positioned near the center-right. He has medium-length dark brown wavy hair swept backward, light facial stubble/beard, and wears a simple fitted black long-sleeve crewneck sweater. He leans forward over the bar with both forearms near the counter, head tilted downward, intensely looking at a smartphone held in both hands. He is candid and unaware of the camera. Immediately to his left is a Black adult man in profile wearing a fitted black top, with very short hair or shaved head and red-tinted sunglasses pushed up on his forehead. He holds a short rocks glass containing a dark reddish drink and drinks through a black straw while looking toward the left. At the extreme right foreground is another adult man, only partially visible and cropped by the frame, with dark hair, beard/stubble and a pale short-sleeve collared shirt, leaning toward the counter and looking downward. On the glossy bar directly in front of the central man is a short clear tumbler containing a pale amber drink, ice cubes and a large orange peel. Nearby are a crumpled white napkin and miscellaneous small bar objects. The counter produces dark, soft reflections. Background consists of large dark window panes and glass architecture with blurred interior lights in green, blue and warm yellow, plus indistinct patrons. A blonde woman is blurred in the lower-left foreground/background. Strong natural bokeh, some foreground obstruction across the bottom edge, intimate documentary/event-photography feeling. Shot on a fast full-frame camera around 50–85mm, approximately f/1.8–f/2.2, high ISO. Central man's face and arms relatively sharp while surrounding figures progressively soften. Warm skin tones against dark blacks, green/blue background illumination, realistic noise, imperfect candid framing. Do not make it look staged or posed. Architecture & design | Original AVIF | Compressed prompt gzip | Compression ratio | |---|---|---| | 65.29 kB65,287 bytes | 1.05 kB1,050 bytes · gzip | 62.18×Original / prompt | PromptPhotorealistic architectural photograph of a spectacular contemporary cultural building at blue hour, viewed perfectly straight-on from across a vast flat reflective plaza. Extremely wide panoramic composition, approximately 2:1. The building's defining feature is an enormous continuous flowing white/silver shell that resembles a ribbon or wave sweeping across the façade. On the far left, the shell curls upward from the ground into a low rounded opening, then dips dramatically through the middle before sweeping upward into a huge asymmetrical crest on the right. The right-hand crest is much taller than the left and curves inward at its peak, forming an elegant organic triangular/teardrop silhouette. Fine parallel seams follow the curvature of the white exterior cladding, emphasizing the flowing geometry. Much of the building behind and beneath this shell is transparent glass curtain wall divided by thin dark mullions into an irregular rectilinear grid. The interior glows intensely with warm golden-yellow light, contrasting against the cool blue twilight sky. Several floors are visible through the glass, including horizontal floor slabs, interior corridors and tiny silhouetted people. The right side contains the largest glazed opening, framed by the enormous curved shell. A long lower glass wing extends horizontally toward the far right edge. The left opening also reveals warm illuminated glass. The foreground is a broad, nearly empty pale-gray plaza with a slightly reflective surface, subtly mirroring the building's golden illumination. Include only a handful of tiny human figures for scale, especially one small dark figure near the center-left foreground. Distant dark blocky apartment buildings barely appear along the extreme left horizon. Sky is clear-to-subtly-textured saturated twilight blue with no dramatic clouds. Precise professional architectural photography, sharp edge-to-edge focus, corrected verticals, moderate-long exposure, cool exterior/warm interior color contrast, clean contemporary appearance. No landscaping, cars or foreground clutter. Photorealistic architectural photograph of a spectacular contemporary cultural building at blue hour, viewed perfectly straight-on from across a vast flat reflective plaza. Extremely wide panoramic composition, approximately 2:1. The building's defining feature is an enormous continuous flowing white/silver shell that resembles a ribbon or wave sweeping across the façade. On the far left, the shell curls upward from the ground into a low rounded opening, then dips dramatically through the middle before sweeping upward into a huge asymmetrical crest on the right. The right-hand crest is much taller than the left and curves inward at its peak, forming an elegant organic triangular/teardrop silhouette. Fine parallel seams follow the curvature of the white exterior cladding, emphasizing the flowing geometry. Much of the building behind and beneath this shell is transparent glass curtain wall divided by thin dark mullions into an irregular rectilinear grid. The interior glows intensely with warm golden-yellow light, contrasting against the cool blue twilight sky. Several floors are visible through the glass, including horizontal floor slabs, interior corridors and tiny silhouetted people. The right side contains the largest glazed opening, framed by the enormous curved shell. A long lower glass wing extends horizontally toward the far right edge. The left opening also reveals warm illuminated glass. The foreground is a broad, nearly empty pale-gray plaza with a slightly reflective surface, subtly mirroring the building's golden illumination. Include only a handful of tiny human figures for scale, especially one small dark figure near the center-left foreground. Distant dark blocky apartment buildings barely appear along the extreme left horizon. Sky is clear-to-subtly-textured saturated twilight blue with no dramatic clouds. Precise professional architectural photography, sharp edge-to-edge focus, corrected verticals, moderate-long exposure, cool exterior/warm interior color contrast, clean contemporary appearance. No landscaping, cars or foreground clutter. | Original AVIF | Compressed prompt gzip | Compression ratio | |---|---|---| | 62.46 kB62,457 bytes | 1.40 kB1,400 bytes · gzip | 44.61×Original / prompt | PromptPhotorealistic high-end interior-design editorial photograph of an elegant, warm-toned living room in a historic townhouse or apartment. Landscape composition, approximately 16:9, camera positioned at seated-to-chest height looking almost symmetrically into the room. The room has tall cream/beige plaster walls and two very tall narrow identical windows on the back wall, each surrounded by deep layered white classical trim. Bright diffused daylight pours through the windows, with the exterior almost completely overexposed. White radiators sit beneath them. Between and slightly in front of the left window is a tall airy indoor tree in a simple pot, with multiple slender woody trunks and sparse elongated green leaves extending upward almost to the top of the window. Between the two windows, mounted vertically on the wall, are two small minimalist horizontal black rectangular artworks, one above the other. Two long low-profile beige/tan sofas face inward from the left and right sides of the room. Their upholstery is soft matte velvet or textured fabric, with deep seats and simple modern lines. Each has neutral cream throw pillows. The right sofa also has a long cylindrical bolster pillow with a small-scale black/brown spotted pattern. Centered between the sofas is a low rectangular white/cream stone coffee table with dark sculptural legs. On it is a black vase overflowing with a large, vivid arrangement of tiny yellow flowers, forming the strongest color accent in the room. Several art/design books are stacked neatly beside it. Behind the coffee table, directly in front of the windows, are two matching sculptural dark-wood dining/side chairs with unusual curved backs and muted dusty-pink upholstered seats. In the right foreground are two substantial black upholstered lounge chairs, partially cropped and overlapping, plus a small black cube ottoman centered low in the foreground. Walls are filled sparingly with large contemporary artwork. On the right wall is an enormous vertically oriented black-and-white graphic portrait of a stylized human face, white facial shapes against a nearly black field, in a thin light frame. On the left wall is a tall mostly-black abstract painting in a warm wooden frame, with two smaller gestural monochrome artworks nearby. At the extreme right stands a tall vintage brass/dark-metal floor lamp with a wide cylindrical pleated brown shade. At the extreme left is a tiny black minimalist task lamp. Warm beige, cream, camel, dark brown and black palette with green foliage and bright yellow flowers. Soft natural daylight, gentle shadows, slightly warm white balance, sophisticated but lived-in styling, restrained luxury. Professional interior-design magazine photography, approximately 24–28mm lens but without exaggerated wide-angle distortion, deep focus, straight vertical lines, realistic fabric and plaster texture. No people. Photorealistic high-end interior-design editorial photograph of an elegant, warm-toned living room in a historic townhouse or apartment. Landscape composition, approximately 16:9, camera positioned at seated-to-chest height looking almost symmetrically into the room. The room has tall cream/beige plaster walls and two very tall narrow identical windows on the back wall, each surrounded by deep layered white classical trim. Bright diffused daylight pours through the windows, with the exterior almost completely overexposed. White radiators sit beneath them. Between and slightly in front of the left window is a tall airy indoor tree in a simple pot, with multiple slender woody trunks and sparse elongated green leaves extending upward almost to the top of the window. Between the two windows, mounted vertically on the wall, are two small minimalist horizontal black rectangular artworks, one above the other. Two long low-profile beige/tan sofas face inward from the left and right sides of the room. Their upholstery is soft matte velvet or textured fabric, with deep seats and simple modern lines. Each has neutral cream throw pillows. The right sofa also has a long cylindrical bolster pillow with a small-scale black/brown spotted pattern. Centered between the sofas is a low rectangular white/cream stone coffee table with dark sculptural legs. On it is a black vase overflowing with a large, vivid arrangement of tiny yellow flowers, forming the strongest color accent in the room. Several art/design books are stacked neatly beside it. Behind the coffee table, directly in front of the windows, are two matching sculptural dark-wood dining/side chairs with unusual curved backs and muted dusty-pink upholstered seats. In the right foreground are two substantial black upholstered lounge chairs, partially cropped and overlapping, plus a small black cube ottoman centered low in the foreground. Walls are filled sparingly with large contemporary artwork. On the right wall is an enormous vertically oriented black-and-white graphic portrait of a stylized human face, white facial shapes against a nearly black field, in a thin light frame. On the left wall is a tall mostly-black abstract painting in a warm wooden frame, with two smaller gestural monochrome artworks nearby. At the extreme right stands a tall vintage brass/dark-metal floor lamp with a wide cylindrical pleated brown shade. At the extreme left is a tiny black minimalist task lamp. Warm beige, cream, camel, dark brown and black palette with green foliage and bright yellow flowers. Soft natural daylight, gentle shadows, slightly warm white balance, sophisticated but lived-in styling, restrained luxury. Professional interior-design magazine photography, approximately 24–28mm lens but without exaggerated wide-angle distortion, deep focus, straight vertical lines, realistic fabric and plaster texture. No people. E-commerce | Original AVIF | Compressed prompt gzip | Compression ratio | |---|---|---| | 35.16 kB35,164 bytes | 0.89 kB890 bytes · gzip | 39.51×Original / prompt | PromptPhotorealistic e-commerce apparel photograph showing the back of an adult male model wearing a heavyweight dark chocolate-brown pullover hoodie. Vertical 2:3 composition. The model stands perfectly upright with his back directly facing the camera, centered against a clean warm off-white/light beige seamless studio background. Frame from slightly above the top of his head to just below his hips/upper thighs. He has short neatly trimmed light-to-medium brown hair, tapered shorter at the sides and back. His head faces directly away from camera. Both arms hang naturally straight down at his sides with hands visible. He wears plain black jeans. The hoodie is thick, matte cotton fleece, slightly oversized but structured, with dropped shoulders, long sleeves, ribbed cuffs and a wide ribbed waistband. The hood lies flat against the upper back, forming a broad triangular shape with a vertical center seam. Across the back of the hoodie is oversized cream-white serif typography arranged on four centered lines. Reproduce the wording and line breaks exactly: “ANTI” “SANDING” “SANDING” “CLUB” The letters are all uppercase, large, widely spaced, slightly playful/classic display-serif forms, warm ivory rather than pure white. “ANTI” begins just below the hood; “CLUB” ends around mid-back. Keep the text completely readable, correctly spelled and centered. Soft even studio lighting from front/side of model, subtle shadows defining the folds of the hoodie, realistic fleece texture, warm neutral color balance, premium but simple clothing-catalog aesthetic. No visible front of the person, no props, no floor horizon, no logos besides the specified typography. Photorealistic e-commerce apparel photograph showing the back of an adult male model wearing a heavyweight dark chocolate-brown pullover hoodie. Vertical 2:3 composition. The model stands perfectly upright with his back directly facing the camera, centered against a clean warm off-white/light beige seamless studio background. Frame from slightly above the top of his head to just below his hips/upper thighs. He has short neatly trimmed light-to-medium brown hair, tapered shorter at the sides and back. His head faces directly away from camera. Both arms hang naturally straight down at his sides with hands visible. He wears plain black jeans. The hoodie is thick, matte cotton fleece, slightly oversized but structured, with dropped shoulders, long sleeves, ribbed cuffs and a wide ribbed waistband. The hood lies flat against the upper back, forming a broad triangular shape with a vertical center seam. Across the back of the hoodie is oversized cream-white serif typography arranged on four centered lines. Reproduce the wording and line breaks exactly: “ANTI” “SANDING” “SANDING” “CLUB” The letters are all uppercase, large, widely spaced, slightly playful/classic display-serif forms, warm ivory rather than pure white. “ANTI” begins just below the hood; “CLUB” ends around mid-back. Keep the text completely readable, correctly spelled and centered. Soft even studio lighting from front/side of model, subtle shadows defining the folds of the hoodie, realistic fleece texture, warm neutral color balance, premium but simple clothing-catalog aesthetic. No visible front of the person, no props, no floor horizon, no logos besides the specified typography.